Sighting of an Intertype with full keyboard

The Intertype below was spotted at a local printing-museum.

This small enthousiast-run museum has a large collection of printing presses, from wooden and cast-iron 19th century affairs to fairly modern cylinder-presses. (And they're trying for a Cossar newspaper-press.) They've two Intertypes and in the background, with the mannequin, is an older Linotype machine. This Intertype machine in the museum is operational, like nearly all their equipment. It was demonstrated for us working 'cold'. That is, without the actual hot lead casting happening in the machine - it racks up an electricity bill when hot and probably also some health & safety concerns about hot lead and fumes. But also 'cold', the motions and the tinkling of the type (matrices) could be seen and heard!

Very unexpected keyboard - a full keyboard (side-by-side), but especially the squarish ESCVX layout was a surprise. Or rather, the ETAOIN (vertical) keyboard - hadn't been aware of the Linotype-layout.

Whilst it does have a fixed keyboard and is for writing text, it's not a typewriter - so, not a sighting for The Database (but does get a posting :)

New typeshuttles for the Hammond - steps forward, steps back

It's a lot like regular new-product development. Steps forward, and a step back (or two). Forward was that printing the strip with DLP resin technology gave incredibly crisp letters on the strip. 

Whereas the filament-printed strips still show the layering, on the scale of typewriter-characters the resin-printed strip is absolutely crisp. In actual typing, it does show that the resin-printed shuttle is better quality. Because the actual typing goes on paper and through a ribbon, the difference on paper is not as large as the difference when comparing the strips.

The ribbon was a hand-inked 'home-made' narrow one. To check the impact of this home-inked ribbon, the Hammond Multiplex was temporarily fitted with a new, commercially bought half-inch ribbon.

That changed the whole look of the machine - it didn't however improve the typing much. (It actually made it worse - so back to one of the narrow home-made ribbons!)

The DLP resin-printed strips were unfortunately also less firm. They really need the metal flange to stay in shape. That lack of stiffness probably is the cause of these new crisp strips again binding in the wheel and jamming the machine. That problem had been completely solved for the FDM-prints, so that's clearly a step back again.

With all the 'mucking-about' and exchanging ribbons, the relatively weak aluminum type-shield broke and lost a small section. This is the cause of the 'echoing' under the characters in the above image. More new shields to be made.

From the experience so far, it may turn out that for simpler typefaces (low-cost) FDM technology is the best compromise to create a working Hammond type-shuttle that produces acceptable text. However for more complex typefaces (e.g. Attic), the crisp detail of a DLP resin printer is needed - the added problems of resin-printed parts yet to be solved.

It's definitely product-development - and continue to be impressed with the fine balance of parts and process-parameters that Hammond achieved in the 1880s!

Re-assembled carriage of Mignon 4 index typewriter

Not the most readable typeface, I'll admit - fun to be able to use though :)

A few more pictures would have helped find the spot for the small line-feed helper-lever, but it went together again and now all very clean.

Still have to manufacture two new springs for pressing the ruler onto the platen. Turns out that those springs are essential to keep the paper properly onto the platen, to solve the ghosting or shadowing.

The one spring that I left out here on the board. It's definitely an original part, but it seems way over-the-top to have three of these stiff torsion-springs. The pressure of two of these is enough - better to have a symmetrical load on the rollers too.

Little wonder that so many Mignon machines have flat feed-rollers; the spring-pressure is weirdly high.

This machine is surprisingly fun to use; a bit cumbersome, but fun. These were genuinely used as typewriters in their day; e.g. the keys of this specimen show a wear-pattern consistent with actual, serious use.

With a bit more tweaking, a 'cheap-n-cheerful' Mignon is turning out to be a fun-machine. Maybe even worth getting the platen re-covered (extravagance for an old index-typewriter!)

:)

AEG Mignon typewriter with Rheinmetall logo

In the process of giving a Mignon index typewriter a thorough cleaning, the carriage was taken apart. This particular Mignon was made by AEG sometime in the late 1920s and in keeping with the overall heft of the machine, the carriage frame is cast iron.

There is a shield with the machine serial-number riveted to the casting and the middle-tie has lettering "SMa" over the number 6001. The 6001 may refer to the pattern or drawing-number, the meaning of "SMa" could be a simple as "SchreibMAschine" or typewriter.

Castings sometimes also have a mark of the foundry, when not manufactured by the typewriter-factory itself and sub-contracted out. This casting indeed does have such a mark. Unexpectedly, the logo on this casting is the Rheinmetall logo.

Clearly marked with the circle and inverted quarter-circles, as also used strikingly on the front-panel of their typewriters of the same period.

(wordmark image from a user manual on The Classic Typewriter Page)

The factories of both companies were also 'next door' to each other, the Rheinmetall site at Sömmerda is not too far away from the AEG typewriter-factory in Erfurt. 

It's thus likely that in the 1920s Rheinmetall not only made their own typewriters, but was also a parts supplier to AEG, the later Olympia.

Refreshing a Mignon typewriter character field or keyboard

The 'keyboard' or character-field of a Mignon index typewriter is where the desired character is selected with the pointer. This map or field is a curved plate, covered with clear celluloid. After 90 years or so, on some key-boards, the celluloid is not so clear anymore - and what was worse on this specimen; the old plastic started to crack and crumble.

Because it was falling apart and catching the index-pointer, this 'keyboard' was taken apart for replacing the clear plastic with new. There are a great many tabs around the rim; after carefully bending these open, the stack of a fibre backing-plate, aluminium sheet with the characters and the celluloid top-sheet can be taken out.

A replacement top-sheet of about 81.5 by 128.5 mm was cut from clear plastic sheet. With this new sheet, the difference in legibility is very noticeable. Bending back all the tabs very gently, fortunately only one tab broke off. (If this new plastic sheet will last another 90-odd years before its starts to crumble and needs replacing, then the keyboard has enough redundancy in tabs to last it at least a few centuries ;-)

The index-pointer no longer snags on the keyboard-cracks; smoother sheet, smoother working of the cheap-n-cheerful Mignon :)

New typeshuttles for the Hammond - more iterations

It's getting there.

It's iterative development, almost every prototype uncovered something new to improve or a new fault-mode.

Now at version 14 of the reproduction typeshuttle, the mechanical function and interaction with the machine is fine. The design is now at the stage where precision of the type itself needs improving. The rapid prototyping strips can't create proper stems of e.g. the 'p' or 'h', as can be seen from the type-sample.

Original at the left, reproduction at the right.

The Hammond typewriter itself is an impressively complex (and finicky) piece of machinery - my Multiplex needs some work done too :)